There are many reasons to embrace audio books and for the time poor it’s a great way to enjoy the wide range of captivating and inspiring stories that are constantly being published.
If you’re thinking about taking the plunge, then the list of June new releases from Bolinda audio is a great place to start.
Once you start listening, you’ll be hooked! You can always combine it with one of our podcasts ‘Stories Behind the Story’ for a deeper understanding of the author and a glimpse behind the scenes at the writing process.
Into the Night is her stunning new crime novel featuring the troubled and brilliant Detective Sergeant Gemma Woodstock. This time, Gemma finds herself lost and alone in the city, broken-hearted by the decisions she’s had to make. Her new workplace is a minefield and the partner she has been assigned is uncommunicative and often hostile. When a homeless man is murdered, and Gemma is put on the case, she can’t help feeling a connection with the victim and the lonely and isolated life he led despite being in the middle of a bustling city.
Then a movie star is killed in bizarre circumstances on the set of a major film shoot, and Gemma and her partner Detective Sergeant Nick Fleet have to put aside their differences to unravel the mysteries surrounding the actor’s life and death. Who could commit such a brazen crime and who stands to profit from it? Far too many people, she soon discovers – and none of them can be trusted. But it’s when Gemma realises that she also can’t trust the people closest to her that her world starts closing in…
Riveting suspense, incisive writing and a fascinating cast of characters make this an utterly addictive crime thriller and a stunning follow-up to The Dark Lake.
Now an adult on L-plates, Debbie and her girlfriends reveal what women talk about when there are no men around. Prepare yourself for full-frontal comedic camaraderie.
After breaking off with both her best friend and boyfriend, Debbie runs away to the inner-city world of punk rock, dodgy jobs, new mates and R-rated adventures.
It’s the kaleidoscopic 1980s, a time of perms, shoulder pads, Blondie and Bowie, prawn cocktails, fondue parties and mistaking promiscuity for feminism. The blokes are laughing all the way to the sperm bank – of course, they’re all for ‘free love’ as they don’t have to pay for it.
Preyed upon by married men and misogynistic bosses, girlfriends are the only people you can rely on. Debbie’s female pals are her human Wonderbras – uplifting and supportive. But it’s not until the girls’ night out that these friends really peel off to their emotional undies … And it’s a psychological striptease that reveals some jaw-dropping truths.
With equal parts humour and pathos, Kathy Lette, one of the pioneering voices of contemporary feminism, exposes all the fun and foolish things girls do when scrabbling to find their high-heeled feet in the world.
Journalist Thea Anderson’s adventurous life has been one of endless danger. Even her childhood, where she and her mother were forced to flee Malaya in the fish–stinking hold of a junk in the dying days of colonialism, was fraught with peril.
For a time, it seemed she would find safe harbour in Tasmania in the arms of winemaker Peter Torrance, but her restless spirit cannot be contained. Thea’s ambition is to travel the world as a foreign correspondent, but Peter is dedicated to his family vineyard in a blue gum valley: it seems their love must fail.
Thea makes her name internationally with her coverage of the assassination of President Kennedy then the escalating war in Vietnam, one of the only women in the field. Her job leads her further into peril and death stalks her all the way, until a return to Tasmania opens the door to a new and exciting career.
Will this opportunity allow her to become reunited with the man she used to love? Or has that dream vanished, like mist in the valley of blue gums?
In 1823, cockney sailor and chancer James Porter was convicted of stealing a stack of beaver furs and transported halfway around the world to Van Diemen’s Land. After several escape attempts from the notorious penal colony, Porter, who told authorities he was a ‘beer-machine maker’, was sent to Sarah Island, known in Van Diemen’s Land as hell on earth.
Many had tried to escape Sarah Island; few had succeeded. But when Governor George Arthur announced that the place would be closed, and its prisoners moved to the new penal station of Port Arthur, Porter, along with a motley crew of other prisoners, pulled off an audacious escape. Wresting control of the ship they’d been building to transport them to their fresh hell, the escapees instead sailed all the way to Chile. What happened next is stranger than fiction, a fitting outcome for this true-life picaresque tale.
The Ship That Never Was is the entertaining and rollicking story of what is surely the greatest escape in Australian colonial history. James Porter, whose memoirs were the inspiration for Marcus Clarke’s For the Term of his Natural Life, is an original Australian larrikin whose ingenuity, gift of the gab and refusal to buckle under authority make him an irresistible anti-hero who deserves a place in our history.
As a child, trapped in the savage act of growing up, Olive had sensed she was at the middle of something, so close to the nucleus she could almost touch it with her tongue. But, like looking at her own nose for too long, everything became blurry and she had to pull away. She’d reached for happiness as a child not yet knowing that the memories she was concocting would become deceptive. That memories get you where they want you not the other way around.
The setting is the Mallee, wide flat scrubland in north-western Victoria, country where men are bred quiet, women stoic and the gothic is never far away. Olive Lovelock has just turned twelve. She is smart, fanciful and brave and on the cusp of something darker than the small world she has known her entire life.
She knows that adults aren’t very good at keeping secrets and makes it her mission to uncover as many as she can. When she learns that she once had a baby sister who died – a child unacknowledged by her close but challenging family – Olive becomes convinced it was murder. Her obsession with the mystery and relentless quest to find out what happened have seismic repercussions for the rest of her family and their community. As everything starts to change, it is Olive herself who has the most to lose as the secrets she unearths multiply and take on complicated lives of their own.
Little Gods is a novel about the mess of family, about vengeance and innocence lost. It explores resilience and girlhood and questions how families live with all of their complexities and contradictions. Resonating with echoes of great Australian novels like Seven Little Australians, Cloudstreet, and Jasper Jones, Little Gods is told with similar idiosyncrasy, insight and style. Funny and heartbreaking, this is a rare and original novel about a remarkable girl who learns the hard way that the truth doesn’t always set you free.
Former NRL player, world boxing title holder and proud Wiradjuri First Nations man, Joe Williams, was always plagued by negative dialogue in his head, and the pressures of elite sport took their toll. Joe eventually turned to drugs and alcohol to silence the inner self-talk, before attempting to take his own life in 2012. In the aftermath, determined to rebuild, Joe took up professional boxing and got clean.
Defying the Enemy Within is both Joe’s story and the steps he took to get well. Williams tells of his struggles with mental illness, later diagnosed as Bipolar Disorder, and the constant dialogue in his head telling him he is worthless and should die. In addition to sharing his experiences, Joe shares his wellness plan – the ordinary steps that helped him achieve the extraordinary.
A beautiful, unsettling novel in three acts, about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul.
Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more ‘plant-like’ existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye’s decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister’s husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming – impossibly, ecstatically – a tree.
Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.
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