Celebrating Beloved Australian Classics: Special centenary editions of May Gibbs’ Snugglepot & Cuddlepie and Norman Lindsay’s The Magic Pudding

Celebrating Beloved Australian Classics: Special centenary editions of May Gibbs’ Snugglepot & Cuddlepie and Norman Lindsay’s The Magic Pudding

There are very few things we can say have stood the test of time and maintained relevancy for one hundred years, appealing to people old and young – but this is certainly true of May Gibbs’ Snugglepot and Cuddlepie, and Norman Lindsay’s The Magic Pudding, which have never been out of print since 1918.

Quintessentially Australian, these enchanting titles have remained a popular part of mainstream culture for an entire century. To celebrate this astonishing feat, Angus & Robertson (an imprint of HarperCollins Children’s Books) has released special centenary editions that old fans will treasure and new generations will adore. Visually stunning and incredibly sentimental, these new editions feature not only the unique and beloved artwork and writing of Gibbs and Lindsay, but also a detailed history and account of their lives, and recounts of how these wonderful stories evolved. For many, it will be a delightful trip down memory lane, and a gorgeous, deeply Australian piece of nostalgia to share with younger generations.

But the big question is, how have these titles managed to stand the test of time? Why, one hundred years after their very first print run, do these stories still hold so much appeal? Obviously, apart from being talented writers with a wicked sense of humour and great imagination, both May Gibbs and Norman Lindsay possessed a deep love for Australia flora and fauna, and many believe it’s precisely this joyous celebration of the Australian landscape and its animals that makes their books so magical. Each title is a celebration of Australia’s unique natural glory and beauty – an ode to the bounty and majesty of the place that so many of us are lucky to call home. (And in the case of Lindsay, to our love of pudding).

The endurance of these titles also speaks strongly to the importance of children’s literature, and the lasting effect that the stories we read in our youth have on our lives as we develop into adults. Magical stories such as Snugglepot and Cuddlepie and The Magic Pudding teach and guide us, leaving behind a wonderful sense of warmth and comfort that we carry with us as we grow old. There is also a universal quality to children’s literature: at its core, it is about learning and discovery – something that remains a constant in our lives, long after we have abandoned the kid’s books for those with thicker spines.

Not only are these titles still incredibly popular as books (Snugglepot and Cuddlepie made the Better Reading Top 50 Kids List this year), they are also popular icons in the arts, and have been adapted for both theatre and television. Snugglepot and Cuddlepie has inspired a ballet of the same name, multiple musicals, and other works of fiction. At the 2018 Vivid Sydney light festival, May Gibbs’ Snugglepot and Cuddlepie artwork was projected onto the façade of Sydney’s beautiful 1845 Customs House. Similarly, The Magic Pudding has been adapted into a feature-length film, a theatre production, and an opera.

Both Mary Gibbs’ Snugglepot and Cuddlepie and Norman Lindsay’s The Magic Pudding, are Australian children’s classics, nostalgic gems for many, yet to be discovered riches for future generations, and we hope to see them in print for many more years to come.

Happy Birthday!

 

Purchase a centenary copy of May Gibbs’ Snugglepot and Cuddlepie here,  or purchase a centenary copy of Norman Lindsay’s The Magic Pudding here

Read our review of the centenary editions here 

 

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Publisher details

The Magic Pudding
Author
Norman Lindsay
Publisher
HarperCollins
Genres
Children’s Fiction, Children’s Picture Book
Released
01 January, 1918
ISBN
9780732284336

Synopsis

The Magic Pudding was first cooked in 1918, and thousands of children (and their parents) have been relishing it ever since. Norman Lindsay′s timeless classic follows the adventures of debonair young koala Bunyip Bluegum, sailor Bill Barnacle and penguin Sam Sawnoff – owners of the much-desired Magic Puddin′ Albert – who try to outwit Possum and Wombat, the professional, and extraordinarily persistent, puddin′-thieves.#27 in  Australia's Top 100 Favourite Homegrown Reads#28 in Australia’s 50 Favourite Kids’ Books poll, 2014#99 in ABC My Favourite Book 
Norman Lindsay
About the author

Norman Lindsay

Norman and Rose Lindsay Norman was one of ten children of Dr and Mrs Charles Lindsay, of Creswick, Victoria. Remarkably, five of their progeny became artists of distinction. He is widely regarded as one of Australia's greatest artists.From an early age, Norman showed an outstanding ability to draw. He became the principal cartoonist for the Bulletin magazine, fought many controversies against "wowsers", particularly defending his right to paint the nude, wrote novels and children's books including The Magic Pudding and also made ship models and garden sculptures.His major work was, however, the torrent of pen drawings, etchings, watercolours and oil paintings, all of which are well represented at 'Springwood' (the Norman Lindsay Gallery & Museum). His artwork is widely collected and many works reside within private and corporate collections. His art continues to climb in value today. In 2002, a record price was attained by his oil painting, Spring's Innocence, which sold to the National Gallery of Victoria for $AU333,900.Lindsay was associated with a number of poets, such as Kenneth Slessor and Hugh McCrae, influencing them in part through a philosophical system outlined in his book Creative Effort. He also illustrated the cover for the seminal Henry Lawson book, While the Billy Boils. Lindsay's son, Jack Lindsay, emigrated to England, where he set up Fanfrolico Press, which issued works illustrated by Lindsay.His sumptuous nudes were highly controversial, and in 1939, several were burned by irate wowsers in the United States who discovered them when the train in which they traveled caught fire. Interestingly enough, Norman had actually sent them to the United States to protect them from the impending War!Lindsay also created a scandal when his novel Redheap was banned due to censorship laws. Many of his novels have a frankness and vitality that matches his art.Sam Neill played a fictionalised version of Norman Lindsay in John Duigan's movie Sirens (1994), set and filmed primarily within the Gallery grounds. James Mason and Helen Mirren starred in Age of Consent (1969), Michael Powell's adaptation of Lindsay's 1935 novel.

Books by Norman Lindsay

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  1. Vikki Evans says:

    These should be read in school