Unmissable, Gripping and Inspiring: Read an Extract from The Girl with the Violin

Unmissable, Gripping and Inspiring: Read an Extract from The Girl with the Violin

West Berlin, 9 November, 1989

‘Tor auf! Tor auf!’

They are as young as she is, those who now scramble up the wall—an activity which just the other day would have seen them shot. Ahead, a crane raises its steel arm and comes crashing down on a section of concrete.

The Brandenburg Gate appears ghostlike through the rain beyond the wall, on the east side. The statue of Victoria, the goddess of victory in her chariot atop the monument, sits in low cloud. She is supposed to be ushering peace into the city. A gust of wind threatens the umbrellas of those who hope to hold back the weeping November sky. People coalesce, thousands of raincoats glimmering in the floodlit night.

Berlin, divided, as she’s learnt, down the middle since 1961, sits uncomfortably inside the Deutsche Demokratische Republik. She tries to imagine growing up on one side of a wall which cuts off all of those in East Berlin from those in the West—mothers separated from daughters, husbands from wives, brothers from sisters.

A man bumps her from behind. A metre away, Heinemeyer struggles to make his way back to her. A growing number of people come between them, and she has a moment of panic—what if she loses him?
Everyone in the city, East and West, wants to be here, at die Mauer, at this moment.

A young man with a pickaxe hacks at the concrete, chipping away. ‘Passt auf!’ Watch out!

‘Susanna!’ Heinemeyer calls.

People stack against each other like cards with no air between. She has never been in such a crowd. Her life in Australia has been defined by space and air and light. But now it’s almost too hard to breathe. People crush her from behind, from in front. She tries to suck in air and her ribs don’t expand. The hood of her heavy wool coat falls back, and she can’t reach around to put it on again because there is no room to move. Her hair is soaked. It sticks to her scalp. Rain runs down her eyelashes into her mouth.

Lass mich durch!’ a woman screams. ‘Ich ersticke!’

Let me through! I’m suffocating!

Maybe it is as dangerous as it feels. Maybe she, too, is suffocating. Will she die here in front of the Berlin Wall, a twenty-year-old Jewish Australian violin student, trampled to death by a stampeding crowd? It would make some kind of sense. Her grandmother, Oma Mirla Heller, died in the Holocaust—in the Buchenwald—this month forty-five years ago. Her crime: wearing a small blue and white Magen Dovid pin that said Halt Hitler.

Imagine dying for two words…

Continue reading the extract here…

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9 July 2024

Your Preview Verdict: The Girl with the Violin by Shelley Davidow

    Unmissable, Inspiring and Gripping: Read Our review of The Girl with the Violin by Shelley Davidow

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    2 July 2024

    Unmissable, Inspiring and Gripping: Read Our review of The Girl with the Violin by Shelley Davidow

      Better Reading Preview: The Girl With the Violin by Shelley Davidow

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      16 April 2024

      Better Reading Preview: The Girl With the Violin by Shelley Davidow

        Publisher details

        The Girl with the Violin
        Author
        Shelley Davidow
        Publisher
        HQ Fiction
        Genre
        Fiction
        Released
        03 July, 2024
        ISBN
        9781867286417

        Synopsis

        A powerful love story in which one woman's quest for identity and healing also becomes the single way she can honour her grandparents, whose lives were irreversibly shattered by the Holocaust. Perfect for readers of Anna Funder and Megan Rogers.

        It's 1989 and for a young Jewish-Australian violinist, a scholarship to Berlin is the chance of a lifetime. Germany is on the verge of change as the wall is torn down, and Susanna is swept along by the tumultuous event. Under the careful guidance of Stefan Heinemeyer, her renowned violin teacher and the grandson of a Nazi, she begins a composition in memory of her grandmother, Mirla, who died in the Buchenwald concentration camp during the Second World War, and Susanna is inspired to retrace Mirla's final footsteps.

        It's a journey that reconnects Susanna to her heritage and propels her musical gift to extraordinary heights. Yet as a forbidden yearning for Stefan begins to unfurl, Susanna's life is forever changed, and the repercussions will echo through decades and across continents.

        In a world where history, society and inherited traumas threaten to silence Susanna and prevent her from ever becoming her true self, can she find the courage to reclaim her power as a woman, a musician, and a composer, and in so doing, lay her haunted past to rest?

        Shelley Davidow
        About the author

        Shelley Davidow

        Shelley Davidow is an award-winning international author who grew up in South Africa. Writing across genres, her 50 books reflect her experiences living and working on five continents over two decades. Recent publications include the memoirs Runaways (Ultimo, 2022), Shadow Sisters (University of Queensland Press, 2018) and Whisperings in the Blood (University of Queensland Press, 2016).

        Her day job is as a senior lecturer in Education at the University of the Sunshine Coast in Queensland. She's also a facilitator in Restorative Practice and consults with school communities around the country. In the time that's left over, she runs creative writing workshops, and has made at least one serious attempt to learn the violin.

        Books by Shelley Davidow

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