Darkly Humorous: Read an Extract from The Cutting by Richard McHugh

Darkly Humorous: Read an Extract from The Cutting by Richard McHugh

Who would have thought the twelve hundred bogans had so little fight in them?

It was a bad word, a word Will Fulbright knew he shouldn’t use, not even to himself, but bogan was the word for them. He had expected a riot, he wanted a riot, he felt he deserved a riot. He was entitled to more from them, and right at this moment, looking down from his Everest of self-pity, he was sure he owed them nothing.

Will was sitting in the back row of a large dining hall-cum auditorium in the middle of nowhere. A sea of men in hi-vis gear was lapping against the walls. Something bad was about to happen to them, and to Will, and either they didn’t realise it, or they were too piss-weak to protest. Whichever it was, Will felt his co-workers at Madeleine’s Monster, the world’s freshest iron ore mine, were letting him down.

A man – Justine’s mate, her philanthropist, her benefactor, of all people – was standing on a small stage down the front speaking into a microphone. Around forty, well-dressed, well-groomed, well-tanned, handsome and charismatic – and gesturing hammily with his free arm – he spoke with an irksome, lulling, chocolaty mid-Pacific twang in that American presidential shop-floor style.

And they were all buying it. Will glanced around the room, trying not to meet anyone’s eye. He needn’t have worried. All were spellbound to the man with the microphone. The building they were in was barely nine months old. Will had been part of the team that supervised its erection by a multinational construction giant.

They had fitted it out with the soul of a casino: 6.30 am might have been midnight or midday. Outside, he knew, the silent white sun was pinning up a cobalt sky, etching hard shadows in the bloodshot-orange Pilbara earth. Inside, hundreds of strip lights were humming their fluorescent song of hospital green: 50Hz of nowhere to hide. This shadowless space was new but already it stank of curing glue and walked-in diesel, of scrambled eggs and red dust and sweat, of . . . One of the bogans had farted…

Continue reading the extract here…

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          Publisher details

          The Cutting
          Author
          Richard McHugh
          Publisher
          Penguin
          Genre
          Fiction
          Released
          30 August, 2022
          ISBN
          9781760899936

          Synopsis

          A darkly humorous novel about modern Australia and what it means to be a good person.

          It’s 2016. Lance Alcocke, sole heir to an iron ore fortune, forty-ish bachelor, has just lost control of his life’s work. His newly opened mine, Madeleine’s Monster, named after his pioneering, iron-fisted grandmother, was supposed to be a workers’ paradise in the Pilbara. But the Monster can’t cover its costs and Lance’s Korean financiers are trying to steal his company out from under him. Lance has appointed administrators to APC Minerals, and his 1200 workers have lost their jobs.

          Among those newly unemployed when the Monster goes under is young engineer Will Fulbright. Will’s downhill slide has been gathering pace for some time. His formerly loved-up girlfriend, Justine Jamison, director of the refugee advocacy group Free All Refugee Children! (FARC!) and lefty girl about town, doesn’t seem to like him much anymore. Will has no income, not many prospects, a slightly out of control drug problem, and finds himself back on his mother’s couch in Fairfield. Meanwhile, out on the Bronte Cutting, Will’s old employer, Lance Alcocke, and Will’s girlfriend Justine are on a personal collision course of their own.

          This is a novel of our times. It is about money, class, race, privilege, families, friends, lovers, duplicity and corruption . . . and whether it’s possible for anyone to get what they deserve any more.
          Richard McHugh
          About the author

          Richard McHugh

          After his unpublished novella about a lovestruck teenager was shortlisted for the Australian/Vogel prize in 1990, Richard McHugh completed his studies at Sydney and Yale, worked as an office angel in London and a Wall Street attorney in New York, and wintered with his partner and their baby in Utah.  They now live in Bronte with an unexpectedly large number of children.  When he is not driving two sons and two daughters around greater Sydney, he works as a barrister, makes photographs and writes.  Charlie Anderson's General Theory of Lying is his first novel.

          Books by Richard McHugh

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